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Pinheads: The Story of the Pacific Pinball Museum

We’re elated to release the short documentary film “Pinheads: The Story of the Pacific Pinball Museum” today. Please give it a watch and let us know what you think by posting a comment here.

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“Monsters” gets Theatrical Release

by uwe

“Monsters“  low budget production method is pretty damn amazing and now this super-indie film has opened theatrically in Europe and North America and has been nominated for best film at the British Independent Film Awards.  I saw this movie at SXSW this year and I definitely walked out of the screening with a lot of questions on how it was achieved.  If you haven’t heard of this film it was written, directed and shot by Gareth Edwards and his crew of 5 throughout Guatemala, Belize, Mexico and Texas.

The story is set years after alien lifeforms have crashed along the Mexican-US border creating a biologically dangerous Infected Zone, essentially a no-man’s land where monster-fearing folk dare not tread.  We follow the adventures of a Journalist who is sent to bring his boss’s daughter back to the US from Mexico which takes us through said Infected Zone.  Here’s the trailer:

Now, this film was shot with the Sony EX3 (plus 35mm adapter) and an equipment budget of $15,000.  All visual effects were produced by Gareth Edwards in his bedroom using Adobe After Effects, Photoshop and Autodesk 3ds Max.  Here’s a behind the scenes:

Whatever you think of the film itself, its production value is through the roof and it was all achieved with off-the-shelf, pro-sumer equipment and a dude who knew what he wanted and needed to do.  Good story.  The making-of, I mean.  Truthfully I wasn’t convinced that the film narrative was pulled off that well and that any statements made regarding the political situation along the US-Mexican border were fairly incidental.  I remember walking down the street after seeing this with my friends and questioning the sense of a good deal of the scenes, as though there was only a very tenuous connection between them all.  This may be a result of their improvising the whole film as they went along.  While watching Monsters I immediately thought of District 9 and how that movie had no qualms about being steadfastly political.

However, I am still behind this movie.  You should see it.

I am very interested in what Gareth Edwards has in the works.  His next project is being produced by Timur Bekmambetov.

The final price tag for “Monsters” is officially set at $500,000.  Prints and posters cost a lot.

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Ramblin’ ‘Round Maine, 2010

by Uwe

This summer I took some time to work on a project by an old friend from film school, Ryan Bennett.  He has had a feature film in development for the last few years and this summer was the time for it’s birth.  “Ramblin’ ‘Round” was shot on S16mm with the Arri 16 SR3, mostly on Kodak 7207 – 250D, in and around Dexter, Maine.

Arri 16 SR3:

Dexter, Maine:

I was 1st AC and slept in a room with a hole where a window should have been.  You can see here, it was covered over with red fabric giving my bedroom that prostitute-at-work aesthetic.  Fortunately, this also made it easy to gain entry to the house on the numerous occasions when we found ourselves locked out.

Now, shooting on Super 16 in rural Maine in the summer can render you with a fridge full of fantastic images of epic locations, but it also means you don’t get dailies because the lab is not exactly on the way home.  Unfortunate to say, but the video tap on the Arri SR3 consistently let us down, forcing us to do things the old fashioned way.  To say that the gear had seen some action was an understatement, most of it still bore the marks of West Germany.  Also, we took it through some pretty tough locations.

In knee-deep water…

On moving trains…

The cast and crew lived in a house on the hill, sharing too few bathrooms…

…and too much beer.

At one point we acquired a drum kit and a guitar amp (by class act, First Act!) which boosted moral into the stratosphere.  Well, at least for a few peoples.

It was a pretty damn good time.

Here’s an article in Hollywood East Connection about the project.

All things must pass and in this case those things were mostly time and money.  We shot all we could given that cast & crew had other commitments after 4 weeks.   The majority of the film is complete, though it will take another summer to finish shooting the remaining scenes.

Camera Team, chillin’:

This is the bad-ass, home-made convertible picture car which tried to take us down at every turn with its near permanent status as a non-functioning motor vehicle.  What we learned is that nearly every random person that drives by you in the country is, thankfully, a mechanic:

Processing was done at Deluxe and dailies were done at Company 3 in NY and we have since had the opportunity to watch them.  The footage looks fantastic and is currently being cut into a teaser.

I’ll update the continuing story of Ramblin Round as more exciting news, shocking photos and surprising memories are recovered.  MORE TO FOLLOW…

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The Mountain Bike Experience

We’ve begun work on a documentary tentatively titled “Free Riders” here in Hood River, Oregon. The documentary will follow our friend Douglas as he builds trails and rides the forests here in the pacific northwest.

Greg decided to give proper mountain biking a try. Having not been on a bike in quite some time, some minor difficulty was to be expected. I mean, even the pros have trouble from time to time. However, something bad happened.

Read on, but be warned if you’re squeamish – graphic pictures ahead

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  • More than a mouthful, less than a handful...seems accurate to me!